PCS_Admin – Page 2 – Pordenone Docs Fest

SUBMISSION

Cinemazero organizes the 17th edition of the “Pordenone Docs Fest – The Voices of Documentary” festival which is proposed as a special occasion for the promotion of documentaries of high creative and artistic quality, designed for a vast and heterogeneous audience, with thematic – non-exclusive – attention to pressing current events, social issues, human rights and ecology.

Films can be entered that:

·      They were produced in 2023 at the latest (not films made in 2022 or earlier).

·       Have NOT had public screenings in Italy before the possible screening at Pordenone Docs Fest: the national preview must be guaranteed, under penalty of exclusion.

·      Have NOT been broadcast on television in Italy.

·       Are NOT already available online on free or paid platforms in Italy.

·       Have a duration of more than 60′

Before filling out the form, please read the REGULATIONS carefully. 

Deadline for submissions for productions from the years 2023 and 2024: 11:59 PM on January 14, 2024. 

Please fill out the form in all its fields, if possible including the non-mandatory ones. 

PORDENONE DOCS FEST AWARDS

Over 3000 tickets sold and 5,000 total attendances in all events, in five very dense days, with so many sold-out events, 300 guests from Italy and all around world, 28 countries represented in 25 national preview films and three world premieres: is the balance of the 16th edition of the Pordenone Docs Fest, the Cinemazero event which this year has transformed the city into the “documentary capital” in Italy, attracting the attention of professionals, the most important national media and public. The festival becomes a point of reference at a national and international level, an opportunity to read reality with different eyes. All in the welcoming dimension of the city of Pordenone, highly appreciated especially by foreign guests.

The Grand Jury Prize went to the splendid “Moosa Lane” by Anita Mathal Hopland, with the following motivation: «Life and images meet in a ten-year project where the family events of a young woman find space: the question of origins, of the fragile and sometimes contradictory identity of stateless people, refugees and second generations of migratory flows. A mirror of the present in which controversies and traits of union between different and distant cultures are reflected. A shining example of cinema in its making, open, free, epiphanic.” The three jurors presented the prize: the great Chilean director Valeria Sarmiento, the director and screenwriter Costanza Quatriglio and the journalist and film critic Beatrice Fiorentino. A special mention went to “When spring came to Bucha” by Mila Teshaieva and Marcus Lenz: «A war reportage that delves into the drama of the conflict in Ukraine, avoiding rhetoric and the display of pain, instead seeking a profound sense of community , in the dignity of the civilian population and in small daily actions, the noblest center of the resistance.”

The Green Documentary Award, for the best film with an ecological theme, went to “The Oil Machine” by Emma Davie, for its ability to convey the complexity of the climate crisis by giving voice to scientists, experts, economists and activists without forgetting the point of view of oil companies and workers who fear losing their jobs. It is a film that opens up dialogue and discussion on an epochal issue, on which the future of us human beings on the planet depends.

The winner of the Young Audience Award, voted by the Cinemazero Young club and the sixty film students from all over Italy and abroad, accredited at the festival, was “Singing on the rooftops” by Eric Ribes Reig, because «it tells different aspects of inclusivity, showing that care and love can overcome every barrier: age, sexuality, origins. It demonstrates that it is possible to generate a bond that unites multiple generations, and it does so through a delicate, sincere and emotional portrait.”

The art of silence“, by the Swiss director Maurizius Staerkle Drux, the first documentary on the life of the legendary artist and mime Marcel Marceau, presented on the opening night in collaboration with the National Deaf Organization of Pordenone, won the Audience Award.

The Virtual Reality Award went to “Myriad” by Michael Grotenhoff and Christian Zipfel, the story of the incredible migrations of Northern Bald Ibises, reintroduced into nature when they were thought to be extinct: this was the title most appreciated by those who visited the space dedicated to reality virtual in Piazzetta Cavour.

The Critics’ Award, in collaboration with the Association of Italian Film Festivals and the National Union of Italian Film Critics, went to “Steel life” by Manuel Bauer «for its masterful storytelling ability and the precision of the analysis of the socio-economic context economy of a country exploited by the capitalist system”.

NORD EST DOC CAMP

Pordenone Docs Fest and Trento Film Festival, in collaboration with Euganea Film Festival, present a new project of consultancy and support workshops aimed at documentary media and feature films in the finalization phase. A tap route between Friuli-Venezia Giulia, Trentino-Alto Adige and Veneto, across all the festival partners.

The project is aimed at works in the editing phase, documentary and hybrid (non-fiction), produced in Trentino-Alto Adige, Veneto and Friuli-Venezia Giulia, and with an expected final duration of more than 45 minutes. Among the candidate, the commission – made up of  3 representatives of the  partner festivals – will choose 4 projects, which will undertake a feedback and tutoring process, with the aim of consolidating the dramaturgy of the film and broadening its diffusion and distribution prospects.

Nord/Est/Doc/Camp enjoys the support of IDM Film Commission Südtirol, Trentino Film Commission, Veneto Film Commission, Friuli Venezia Giulia Film Commission and the collaboration of the FVG Audiovisual Fund.

The accompanying path is divided into 3 stages, each focused on specific areas and activities, and takes place in the context of one of the 3 festivals.

PRIZES

Doc Network Award by Doc Servizi – Video with the color correction room made available for 1 week (operator not included), at the Synchro studio in Dosson di Casier, Treviso.

Video Art Award for a DCP authoring service, with conformation of master video to cinema parameters, recoding in maximum PRORES resolution and related DCP output, including creation and insertion of subtitles in English or Italian.

Fabrica Award for the artistic direction, graphic consultancy and coordinated image of a documentary, offered by the research and residency center for talents under 25 founded in 1994 by Luciano Benetton and Oliviero Toscani, based in Catena di Villorba, Treviso.

Green Manifesto

Pordenone Docs Fest and Cinemazero have been consistently adopting actions aimed at environmental and social sustainability for years.

AFIC (Italian Association of Film Festivals) has developed the Green Festival Guidelines, which draw inspiration from and include some of these good practices, offering inspiration to improve and expand them further.

The national guidelines, in synergy with the recommendations being developed by Europa Cinemas at the European level, provide an opportunity to compile and highlight all these actions in a single document, opening the festival to broader discussions with other cultural entities operating in Italy and internationally.

In 2023, the festival measured its CO₂ equivalent emissions with the technical support of ARPA FVG, with which it has long been conducting environmental education initiatives.

The commitment continues in 2024, updating goals and actions, with the addition of a new focus on digital ecology.


1. SUSTAINABLE MOBILITY

We raise awareness among the staff, guests, and audience about the festival’s intent to promote sustainable mobility for the event’s organization and enjoyment.

The center of Pordenone is an excellent example of a “15-minute city,” where festival staff, guests, and attendees can often cover even shorter distances on foot or by bicycle. This year, due to the construction of a new pavilion in Piazza Maestri del Lavoro, reaching the cinema sustainably will also be a more practical option, avoiding the need to search for parking.

To encourage attendees to arrive in Pordenone via public transport and then move around the city on foot or by bike, those arriving by train or bus will be entitled to a discount on the festival pass (via the “green pass” option).

To support sustainable mobility, especially for those unfamiliar with the city, we provide a map on the website and to our guests showing festival venues, bike-sharing points, and charging stations for electric vehicles. For those who have no choice but to drive, preferably using carpooling, we highlight the most convenient parking options.

On the festival website, we also provide detailed information about how to reach Pordenone by train or bus.

2. SUSTAINABLE ENERGY CONSUMPTION

AFIC’s general recommendation is to use electricity generated from renewable sources, prioritize sustainable energy providers, and implement all possible measures to reduce energy consumption.

To reduce its energy impact, Cinemazero has installed solar panels capable of generating 21,617.6 kWh annually.

Throughout the year, Cinemazero staff adopt energy-saving behaviors, such as:

  • Turning off and unplugging all electrical and electronic equipment (including computers, tablets, and smartphones) during non-working hours.
  • Avoiding the use of networks, connections, and phones unless strictly necessary.
  • Minimizing artificial lighting and ensuring lights are switched off when not needed.
  • Setting heating and cooling systems to seasonally appropriate temperatures: no higher than 20°C in winter and no more than 6°C below outdoor temperatures in summer, with systems turned off when spaces are unoccupied.

The festival avoids the use of outdoor heaters and radiant devices.

Traditional cinema lighting has been replaced with state-of-the-art LED fixtures to further reduce energy consumption.

In 2023, Cinemazero implemented energy-efficiency upgrades—financed through the National Recovery and Resilience Plan (PNRR)—making the structure more modern and sustainable, both environmentally and economically. These include replacing thermal power plants with new systems featuring heat exchangers, installing an Air Treatment Unit (UTA) with heat recovery and modern sensors, and replacing the DCP projector in SalaGrande with a laser model, reducing energy consumption by over 50%.

For the XVI edition of the Pordenone Docs Fest, its carbon footprint was calculated with the technical support of ARPA FVG, amounting to 49.6 tons of CO₂ equivalent. The largest contribution came from transportation (41.4 tons). For the XVII edition, the festival aims to compensate emissions by investing in urban green spaces, potentially creating the “Cinemazero forest.” Any excess emissions will be compensated after the event.


3. PRINT MATERIALS

Promotional materials, for both the festival and Cinemazero year-round, use E.C.F. pure cellulose natural paper—FSC certified and sourced from recycled fibers.

Staff are encouraged to minimize printing, preferring digital formats and ensuring double-sided printing when necessary.

Printed materials are distributed strategically and in targeted locations, with some resources only made available in digital formats to avoid waste.

Audiences are encouraged to purchase tickets online, with clear indications in printed programs, on the website, via newsletters, and on social media.


4. EVENT SETUP

Event setups prioritize renewable, recycled, and recyclable materials, avoiding references to specific editions to allow reuse in the future.

Decorations exclusively feature potted plants.


5. WASTE MANAGEMENT

Cinemazero manages waste following a differentiated collection system year-round. During the festival, efforts intensify to minimize waste production.

Plastic use is avoided, and attendees are encouraged to use refillable bottles and jugs of water at events.

6. GADGET PRODUCTION

Prizes for winners are made of wood.
Gadgets are crafted from reclaimed materials, such as bags made by the Nuovi Vicini social tailoring workshop using fabric scraps.


7. HOSPITALITY

Guests are encouraged to opt for eco-friendly travel options, prioritizing train over air travel when possible. For local transport, the festival rents electric vehicles and promotes shared transportation.

8. FOOD SUSTAINABILITY

The festival promotes low-impact food choices, such as seasonal, vegetarian, or vegan options. Waste is minimized at catered events.


9. ENVIRONMENTAL AWARENESS & SOCIAL SUSTAINABILITY

Films addressing environmental issues are showcased, and the Green Documentary Award highlights ecological themes. Cinemazero emphasizes local suppliers and inclusive practices for all events.


10. TRAINING & COMMUNICATION

Transparent communication about the festival’s sustainability efforts is a priority, accompanied by environmental training for staff.


+1. DIGITAL SUSTAINABILITY

Actions are taken to reduce digital footprints, such as minimizing unnecessary data storage and streaming efficiently.

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